There is a lot of sentiment expressed about guitar amps, especially the tube variety, which were knocking around (and knocked around) since the 1950s. Since Leo Fender designed the very first commercially available power guitar amplifiers, guitarists have developed a love affair with tube /valve guitar amps, which on the face of it appears to defy logic or reason, why should logic or reason apply to artistic expression. The essential design of tube amps has evolved very little since those early designs in the fifties and sixties, Shanling Auido CD player yes nevertheless the basic principles are identical.
As you article place it:…”So how could it be which a 1950’s design got it so right that it is still relevant today? Was it luck? Or were they created by geniuses during the day? I like to think it’s a little bit of both…the vast majority of players prefer valve designs for his or her guitar amplifiers, and there are several good reasons for this particular”
Is it really so black and white, did they obtain it right first time and haven’t managed to enhance on it since or exist other aspects worth taking into consideration. The things they did was build amps making use of the only technology available during the time. The guitarists of times pushed the technology for the limits and beyond, developing their SOUND. Once the guitar amp didn’t satisfy the guitarists expectations they modified or added enhancements to accomplish their sound (such enhancements including making holes inside the amp speakers) When the electronic revolution that was the solid state amp arrived inside the late sixties, there was no competition, the warmer richer sound in the valves was preferred by the Meixing MingDa Valve Amplifier towards the “harsher” or more “brittle” sound from the transistor guitar amp.
It’s well recognized there was still an absolute audible distinction between tube amps and solid state amps, especially when a tube amp was pushed hard and being played by way of a blues guitarist. The soft clipping overdrive “tone” of any tube amp was most noticeable with a blues guitar players’ particular type of playing. Although it can be next to impossible to differentiate the clean setting of a tube guitar amp (without overdrive) more than a solid state amp, or perhaps the high gain setting of a tube guitar amp using that of any solid state amp.
Audible differences apart will it be also untrue that most serious players developed “their sound” over a tube guitar amp and unless something came along which sounded better than a tube guitar amp their preference vsyzzc continually be for your tube amp. They can afford any additional expense and therefore the sentimental attachments. Thinking about the rate of continuing development of the microelectronic industry (they can put 2 billion transistors into a place smaller compared to a guitar pick) has the time not arrived when the tube amp might might finally be superseded.
Speaking with the younger emerging players nowadays there is apparently a preference for your latest modeling guitar amps. Obviously expense is definitely a factor and emerging artists will always be strapped for money, but simply like their guitar heroes from the sixties and seventies, they’ll improvise, develop their sound, but unlike their heroes they’ll have the capacity to store that sound and perhaps a few others on the press of the mouse. The XIANGSHENG DA-05B DAC enables the guitarist to produce multiple sounds replicating the sound of many different different guitar amps. One guitar amp is now able to designed to appear to be any vintage tube guitar amp and also the setting save and implemented in the press of the mouse. The article quoted earlier also stated:
“When a new design becomes available that sounds better than a good guitar plugged direct right into a good valve amplifier, guitarists will buy it and proceed”